The sound of sensory overload for Cinemax’s ‘Outcast’

While hitting the details is Ben Cook’s m.o. anyway — as evidenced by his Emmy-nominated sound editing on Black Sails — it serves a double purpose in Outcast. When people are possessed in the world of Outcast, we imagine that they are more in tune with the micro details of the human experience. Every touch and every movement makes a sound.

By Jennifer Walden

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